PinnedPublished inThe Ugly Monster‘Io Capitano’ and the Nature of the MigrantMatteo Salvini, overcrowded boats, and social deathOct 1, 2024A response icon12Oct 1, 2024A response icon12
PinnedPublished inThe Ugly MonsterPalestine’s Suffering: An Analysis of The Economist MagazineHow does The Economist report on the genocide in Gaza?Feb 15, 2024A response icon2Feb 15, 2024A response icon2
PinnedPublished inThe Ugly Monster‘Conquest of the Planet of the Apes’ and the Nature of Fascism‘Conquest of the Planet of the Apes’ shows us the real of face of American fascism, the one that has always been thereJan 12A response icon6Jan 12A response icon6
Published inThe Ugly Monster‘Sinners’: Vampires are ConsumersRyan Coogler turns the George Romero ‘zombie-as-consumer’ trope on its head3d ago3d ago
Published inThe Ugly Monster‘Deadpool & Wolverine’ and the Denaturalization of SexDid you know that Deadpool and Wolverine had sex in ‘Deadpool & Wolverine’?6d agoA response icon216d agoA response icon21
Published inThe Ugly Monster‘Dune: Part 2’ and the Technology of DeathDeath is not just the bomb. Death is also the bolt, the screw, the paperwork, and the bureaucracy.Jun 24A response icon5Jun 24A response icon5
Published inThe Ugly Monster‘All of Us Strangers’ and Being QueerI am too scared to be queerJun 20Jun 20
Published inThe Ugly Monster‘Killers of the Flower Moon’: The Osage are DeadCan you find the wolves in this picture? Can you find the wolves in your real world?Jun 12A response icon8Jun 12A response icon8
Published inThe Ugly Monster‘Babylon’ and the Nature of Degeneracy‘Babylon’ is about degeneracy as a tool of controlJun 7A response icon9Jun 7A response icon9
Published inThe Ugly Monster‘The Menu’ and the Nature of Consumerism‘The Menu’ criticizes the culture of consumerism that has permeated cuisine, and to a broader extent the art worldMay 31A response icon11May 31A response icon11
