PinnedPublished inThe Ugly Monster‘Io Capitano’ and the Nature of the MigrantMatteo Salvini, overcrowded boats, and social deathOct 1, 2024A response icon12Oct 1, 2024A response icon12
PinnedPublished inThe Ugly MonsterPalestine’s Suffering: An Analysis of The Economist MagazineHow does The Economist report on the genocide in Gaza?Feb 15, 2024A response icon2Feb 15, 2024A response icon2
PinnedPublished inThe Ugly Monster‘Conquest of the Planet of the Apes’ and the Nature of Fascism‘Conquest of the Planet of the Apes’ shows us the real of face of American fascism, the one that has always been thereJan 12A response icon6Jan 12A response icon6
Published inThe Ugly Monster‘All of Us Strangers’ and Being QueerI am too scared to be queer2d ago2d ago
Published inThe Ugly Monster‘Killers of the Flower Moon’: The Osage are DeadCan you find the wolves in this picture? Can you find the wolves in your real world?Jun 12A response icon8Jun 12A response icon8
Published inThe Ugly Monster‘Babylon’ and the Nature of Degeneracy‘Babylon’ is about degeneracy as a tool of controlJun 7A response icon7Jun 7A response icon7
Published inThe Ugly Monster‘The Menu’ and the Nature of Consumerism‘The Menu’ criticizes the culture of consumerism that has permeated cuisine, and to a broader extent the art worldMay 31A response icon11May 31A response icon11
Published inThe Ugly Monster‘An Autumn Afternoon’ and the Nature of Memory and NostalgiaAcclaimed director Yasujirō Ozu tackles death in his final filmMay 11A response icon1May 11A response icon1
Published inThe Ugly Monster‘Vermiglio’ and the Nature of Conservative RepressionThe characters of ‘Vermiglio’ want to change, but they are not allowed toApr 30A response icon4Apr 30A response icon4
Published inThe Ugly Monster‘Lost Highway’ and the Nature of DesireDesire can never be satisfied, but it can be lived vicariously through surveillanceApr 15A response icon5Apr 15A response icon5
